entrevista 7: david sylvester entrevista a francis bacon
¿quieres que parezca al mismo tiempo real y artificial?
¿quieres que parezca al mismo tiempo real y artificial?
nacimiento, copulación y muerte
Son lo que hay cuando
se desciende a lo esencial
francis bacon
detalle del panel central del tríptico de 1969
tres estudios de lucian freud
collection of the drawings donated
to cristiano lovatelli ravarino
papa 1991
collection of the drawings
donated to cristiano lovatelli ravarino
francis bacon:
retrato de cristiano lovatelli ravarino 1992
detalle de figura de pie 1990
de la Francis Bacon collection
of the drawings donated
to cristiano lovatelli ravarino
Study for a Pope II, 1961
Musei e Gallerie Pontificie
Musei Vaticani
Vatican City
Study for Head of George Dyer
1967
35.5 x 30.5 cm
private collection
Este trabajo es generalmente considerado
como parte de una serie de Black Tryptichs
que siguió al suicidio del amante de Bacon,
George Dyer. Dyer aparece a la izquierda y
Bacon está a la derecha
Study from the human body after Muybridge
1988
oil on canvas 198 x 147.5 cm
Private collection
una de los primeras de una serie en que
Bacon creó imágenes a partir de fotografías
de Muybridge de la figura humana en movimiento
Su estilo se basa en unos principios maestros de ética,
que para él son irrefutables, como es la idea de que el
arte más grande te devuelve siempre la vulnerabilidad
de la situación humana
Francis Bacon rehuyó siempre la interpretación de sus pinturas.
No es que no le gustara hablar sobre lo que hacía, sino que
rechazaba el aspecto representativo que casi toda explicación
conlleva. Nunca simpatizó con el arte abstracto.
Bacon decía de sí mismo que, más que un pintor,
siempre se consideró un intermediario
me habría costado por lo menos
diez años olvidar
La primera imagen que vi fue de bacon, Estudio de un perro,
de 1952, en lo que ahora es la Tate Britain como una adolescente
de diecisiete años. Traté de pintar una versión de ella, pensando
que sería fácil, pero por supuesto que no lo era.
mónaco: figure in movement 1972
oil on canvas
francis bacon, monaco and french culture in monaco
detalle: studies from the human body 1975
oil on canvas
200×150 cm
left panel: three studies of isabel rawsthorne
[on white ground] 1965
oil on canvas
each panel: 35.5 x 30.5 cm
oil on canvas
198 x 137,5 cm
Portrait of Isabel Rawsthorne, 1971
Oil on canvas 35.5 x 30.5 cm
Private Collection
francis bacon: detalle: study of george dyer
1971
oil on canvas
78 x 58 inches
Francis Bacon
1963, Figure with two owls,
Study for Portrait of Pope Innocent X after Velázquez
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